Marion Hodges

Marion Hodges

Assistant Producer, KCRW Music Department

Marion Hodges is an Assistant Producer for KCRW's Music Department. In addition to editing and shaping audio for KCRW’s Live From series, you’ll find her working closely on all manner of projects for FREAKS ONLY, frequently contributing writing to kcrw.com and our Music Insider newsletter, and assembling the weekly Top 30 Chart of KCRW’s most played records.

Prior to holding this position, she was an on-air DJ and host for KCRW (2009 - 2019), and production assistant for Season 1 of Lost Notes. In the past, she served as co-producer and resident DJ for the monthly storytelling night Radio Picture Show, offered music programming services for the vintage clothing pop-up event A Current Affair, and is part of the alumni roster of the all female DJ booking service Prism DJs. Her writing has appeared in Buzz Bands LA, and Radio Free Silver Lake.

Marion Hodges on KCRW

From the emo-ennui of genre mainstays Cursive (!) to Pride-ready dance floor anthems, this week's 5 Songs run the gamut.

5 Songs to Hear This Week: Cursive, Goat Girl, Peggy Gou

From the emo-ennui of genre mainstays Cursive (!) to Pride-ready dance floor anthems, this week's 5 Songs run the gamut.

from Music News

LA duo Brijean’s lush 'n' dreamy waltz, "Euphoric Avenue," lands at number one and invites us to slow down and savor the sounds.

KCRW’s Top 30 chart: June 3–9, 2024

LA duo Brijean’s lush 'n' dreamy waltz, "Euphoric Avenue," lands at number one and invites us to slow down and savor the sounds.

James Blake’s pristine exercise in controlled euphoria, “Thrown Around,” easily takes number one on the KCRW Top 30 Chart.

KCRW’s Top 30: James Blake’s ‘Thrown Around’ throws the chart for a loop

James Blake’s pristine exercise in controlled euphoria, “Thrown Around,” easily takes number one on the KCRW Top 30 Chart.

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KCRW's all-music channel blending the collected talents and tastes of all KCRW's DJs into a single voice streaming 24 hours a day.

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Kim Masters and Matt Belloni examine the complicated situation developing at Paramount as controlling shareholder Shari Redstone determines the future of the company.

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